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(PRODUCTION SCRIPT) updated 10.20.05
FADE IN:
1 EXT. BUS STOP - DUMBO BROOKLYN - DAY 1
C.U. on the eyes of a MAN in his late thirties. They are
closed tightly and his face is tilted toward the sun.
There's the sound of WAVES CRASHING ON THE SHORE and of WIND.
He becomes aware of the sounds of CHILDREN PLAYING in the
background.
BOY (O.S.)
Hey Mister.
The Man slowly opens his eyes, squinting and blinking from
the sun. He's sits on a curb at a bus stop. A BOY about eight
years-old is standing over him.
BOY
You sleeping?
The Man looks at the Boy with a warm smile.
BOY
Why are you sitting there?
MAN
I'm waiting.
BOY
Waiting for the bus? You takin' a
trip?
MAN
(looking around)
Yeah.
BOY
I'm Joseph Henry and this is my
block.
(pointing)
I live right over there, on the
corner.
The Man smiles.
BOY
I never seen you here before.
MAN
I haven't been here in a long time.
Joseph sits down next to the Man and starts drawing in the
street with a piece of chalk from his pocket.
JOSEPH
Why are you takin a trip?
The Man pulls out a cigarette
MAN
I don't have a choice.
JOSEPH
Where are you going?
MAN
I'm not sure.
He lights up the cigarette and starts smoking.
JOSEPH
How can you not know where you're
going? That's stupid.
MAN
When you grow up things get more
complicated. There are a lot of
times you don't know where you
going.
JOSEPH
(assertively)
I always know where I'm going. I
know this whole place. When I grow
up I'm gonna get outta here and do
whatever I want. No one's gonna
tell me what to do or where to go.
MAN
(smiles)
So, you're a tough guy.
JOSEPH
(forcefully)
I'm strong too. I'm stronger than
all my friends. Stronger than you.
Wanna see?
He makes a fist and tough face as if he's ready to fight.
MAN
(laughing)
No, that's okay I can tell you're
strong. But that isn't everything.
JOSEPH
Yes it is. If everybody knows your
strong they don't mess with you.
MAN
There was a time I thought I was a
tough guy, too... I was pretty
weak.
JOSEPH
Well I'm not gonna be like you when
I get big. I'm never weak.
MAN
Never?
JOSEPH
I never cry either. Only babies
cry, that's what my dad says. All
the other kids around here are
babies. I can make them cry with
one punch.
(pointing)
Tommy Catapano, who lives over
there, said he could punch harder
than me, when I was hitting him he
cried and ran home like a little
baby...
C.U. of the Man's face. The boy's voice is drowned out by the
sound of WAVES CRASHING ON THE SHORE and of WIND.
CUT TO:
2 EXT. DESERTED DOCK - STATEN ISLAND - DAY 2
E.C.U. of a CAR DOOR opening
E.C.U. of legs. Its appears as if there's a struggle as is
being pushed around and stumbling
E.C.U. of knees hitting the floor.
E.C.U of hands struggling with rope.
INTERCUT:
3 INT. APARTMENT - EAST VILLAGE - NIGHT 3
A man, FATHER, is shouting in a small dark apartment at
night. Seen from a child's P.O.V. as he's peaking in and out
through a slightly opened door. The Father is pacing the
floor in the living room shouting.
FATHER
I can't believe it. You can't trust
anybody.
MOTHER (O.S.)
We'll be okay, right?
FATHER
We're ruined. That was it... That
was my shot... I should've never
listen to them.
MOTHER
How bad is it?
FATHER
It's all gone.
MOTHER
You've last everything?
FATHER
It's all gone.
MOTHER
How could you be so stupid?
FATHER
Are you gonna get off my back? I
got enough to deal with!
MOTHER
You shoulda thought of that before
you ruined my life too!
FATHER
Are you gonna shut up?
INTERCUT:
4 EXT. DESERTED CITY STREET - DUMBO - NIGHT 4
Running from runner's P.O.V. through the streets at night.
Only the sound of heavy breathing can be heard.
Running frantically from runner's P.O.V.
We see the Man from behind, as he runs far in to the
distance. He looks back over his shoulder feeling that
something is chasing him.
We see his back again as we get even closer.
We hear the sound of WAVES CRASHING ON THE SHORE and of WIND
as we see an arm reach out and grab the Man on his left
shoulder as he turns his head.
Just as the hand is about to grab him, the breathing stops
and we hear many WHISPERED VOICES, "Where are you going?" The
echoes carry over into ...
BACK TO:
5 EXT. BUS STOP - DUMBO BROOKLYN - DAY 5
Joseph's hand touches his jacket.
JOSEPH
(tugging on the man's
jacket)
Hey!
The, Man, startled by the boys tugging, violently pushes the
boy's arm away as if he were about to be attacked. He's about
to hit the boy but stops himself.
MAN
(snapping at the boy)
What?!
The boy recoils, blinking his eyes as if he were about to get
hit. Hurt, he fights back his emotions. Joseph tries to be
strong and stand his ground.
The Man's eyes, realizing he just snapped for a moment, fill
with regret and sadness. His eyes ask forgiveness but he
doesn't say anything. The man drops his head into his hands.
JOSEPH
(determined)
They're all babies. Not me.
The boy draws on the pavement again. The Man, still in a daze
from the dream, seems self absorbed. During their silence
Joseph keeps looking up at the Man, annoyed that he appears
distracted.
JOSEPH
You shouldn't smoke, it's bad for
you.
MAN
I know.
The Man takes another drag then looks at the cigarette.
Noticing it's almost done he takes one more drag and throws
it on the floor, stepping on it to put it out.
JOSEPH
You know what?
MAN
What?
JOSEPH
I think you're a baby too.
MAN
(laughing lightly)
You know what?
JOSEPH
What?
MAN
(playfully)
You're right.
Joseph sits next to the Man.
JOSEPH
(laughing)
I am?
The Man, still smiling, puts his hand on the boy's back.
MAN
(proudly)
I like you Joseph Henry.
JOSEPH
(jokingly)
I'm not bad like you thought,
right?
MAN
You're no bad at all.
JOSEPH
Everybody thinks I'm bad, but I'm
really not.
MAN
I know how you feel.
CUT TO:
6 INT./EXT. CAR - DUMBO, NEW YORK - NIGHT 6
A CAR pulls drive down a desolate street under the Brooklyn
bridge and pulls over. James, mid-thirties and unshaven with
greasy hair, is at the wheel. The Man is in the passenger
seat.
JAMES
You gonna be okay?
MAN
Yeah.
JAMES
I can't believe you did it. Man,
you definitely got balls.
MAN
I told you I would.
JAMES
I definitely didn't believe you.
You know where your headed?
MAN
I'm not sure.
JAMES
Does anyone else know about this?
MAN
No, you're the only one. I'm hoping
I can trust you.
JAMES
Hey, it's not me you gotta worry
about.
MAN
Don't worry, I've got it figured
out.
JAMES
You always said you'd get outta
here.
The Man smiles.
MAN
Can you do me a solid and give this
to Lisa?
The Man hands him an envelope.
JAMES
Sure.
MAN
Keep an eye on her for me.
JAMES
As long as you don't mind me
staring.
The Man gets out of the car. The car drives off.
CUT TO:
7 EXT. CONEY ISLAND - DAY 7
The Man and LISA, walk up to Nathan's. Lisa stops in her
tracks.
LISA
You gotta be kidding me.
MAN
What?
LISA
This is the surprise?
MAN
This is classic. It's historic.
LISA
Going out to dinner usually, at the
least, involves a table.
MAN
Anybody can go to some expensive
restaurant... This is special.
LISA
Okay big spender, if you say so.
MAN
You're gonna love it.
LISA
You're lucky I like you.
8 EXT. BOARDWALK - CONEY ISLAND - DAY 8
The Man and LISA, an attractive woman in her late twenties,
are waking on the board walk.
Intimate C.U. of the man and Lisa kissing.
The Man and Lisa sitting by the beach.
CUT TO:
9 INT. LISA'S APARTMENT/HALLWAY - NEW YORK - NIGHT 9
The Man and Lisa kiss while he is leaving her apartment. He
is in the hallway, putting on his jacket. She is inside the
apartment behind the slightly opened door.
Lisa, still overcome with passion, slowly closing the door as
she playfully mouths the word "bye."
CUT TO:
10 INT. BEDROOM - NEW YORK - NIGHT 10
The Man and Lisa make love intercut with FLASHES of the hands
struggling with rope. We hear the sound of WAVES CRASHING ON
THE SHORE and of WIND.
BACK TO:
11 EXT. BUS STOP - DUMBO BROOKLYN - DAY 11
Joseph is intently drawing in the street.
JOSEPH
Daydreaming?
MAN
(distracted)
What?
JOSEPH
Thinking of somethin' good?
MAN
Yeah, I was.
JOSEPH
What?
MAN
I was thinking about someone.
JOSEPH
A girlfriend?
The Man smiles
MAN
(a little surprised)
Yes. Actually I was.
JOSEPH
My mom says I daydream too much. I
like to do that.
MAN
I bet.
JOSEPH
When I'm scared I like... daydream.
Happy things like funny cartoons
and stuff.
MAN
I bet you have some imagination.
JOSEPH
(matter of fact)
Yeah, I do.
The boy continues drawing.
MAN
You shouldn't draw in the street.
It's dangerous.
JOSEPH
I always do it.
MAN
You also shouldn't be out here all
alone.
JOSEPH
I'm not alone.
MAN
I don't count.
JOSEPH
Then why should I listen to you?
MAN
Maybe you could do things
different... It's so easy to make
mistakes, and you never know it til
it's too late... Trust me, you
never see it coming.
JOSEPH
My dad says ya can't trust nobody.
MAN
I'm Just tryin' to help.
JOSEPH
How you gonna help me when you
don't even know where you're goin'?
The man smiles at the boy as he looks at him. The man turns
away and looks straight ahead as his eyes tear up. Joseph
walks over and puts his arm around him.
JOSEPH
It's okay, don't be sad you'll be
alright. It's okay.
Joseph sits next to the man.
JOSEPH
Hey, You wanna make believe that
we're someplace else.
MAN
Sure.
Joseph kneels down and starts drawing again.
JOSEPH
Let's make believe that all the
streetlights are trees and all the
buildings are mountains. And all
the monsters are not scary, they're
your friends and they're trying to
help you. And all the bad people
are not really bad they're just
playin' a game, they just don't
know it. And no one can hurt you
'cause you're not afraid.
The man smiles as he contemplates the images Joseph
described.
CUT TO:
12 EXT. DESERTED DOCK - STATEN ISLAND - DAY 12
Flashes of a mans hands struggling with a rope.
A hand reaches around back, under his jacket pulling
something out and reaching forward. The abstract images
become clear and reveals a hand pointing a gun at someone
who's hands are tied behind their back, struggling with the
rope.
BACK TO:
13 EXT. BUS STOP - DUMBO BROOKLYN - DAY 13
ANGRY MAN (O.S.)
(sternly)
It's time to go.
Joseph drops his chalk as they both look up.
JOSEPH
I gotta go!
He gets up and runs off screen. The man looks down and for
the first time he notices Joseph's drawing in the street.
A serious look comes over his face as he looks at it. It's a
child's SKETCH OF A BOAT ON THE WATER NEXT TO A DOCK.
The man closes his eyes. We just see his eyes. They are
closed tightly and his face is tilted toward the sun.
There's the sound of WAVES CRASHING ON THE SHORE and of WIND.
CUT TO:
14 EXT. DESERTED DOCK - STATEN ISLAND - DAY 14
The Man appears to be kneeling with two figures standing
behind him, visible only from the waist down.
ANGRY MAN
time to go, Joseph.
The angry man menacingly leans over the Man/Joseph who's eyes
are shut, and speaks directly in his ear.
ANGRY MAN
You hear me in there! Time's up.
Cut to a WIDE SHOT revealing James standing next to the Angry
Man.
JAMES
C'mon, just do it and let's get
outta here.
CUT TO:
15 MONTAGE 15
Super 8 footage and images from throughout the film speed by.
Lisa, the Boy, the Father, James...
A GUN SHOT rings out... the images, while still flashing
slowly fade into black.
BACK TO:
16 EXT. DESERTED DOCK - STATEN ISLAND - DAY 16
WIDE SHOT: Joseph lays dead as the two men rush back to
James's car.
There is an empty boat at a dock under the highway.
There's the sound of WAVES CRASHING ON THE SHORE and of WIND.
FADE OUT
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